Three people with different backgrounds go on the run from the mafia, finding love and connection amid danger and survival.

暂无剧情简介

暂无剧情简介

Jeremy Fink and his best friend Lizzy must search high and low throughout the streets of Manhattan for clues to unlock the mysterious box he received a month before his birthday.

Jane and Will are familiar faces on the Los Angeles club scene. They meet officially at drug rehab after Jane OD'ed and Will crashed her motorcycle driving stoned. They hit it off immediately and escape the clinic to travel to Montana and find the bike from Easy Rider. Different from most road movies in that no'one gets murdered and no vengeance is reaped. On the contrary, the characters let their pasts and memories lead them down the road to emotional self-destruction. In other words there is no seductive emancipation here, just people with problems that won't go away with a rev of a motor.

Expectant parents become prime suspects in the disappearance of a pregnant woman who was last seen at their garage sale. Model citizen David Rose runs a garden center and is a devoted house-father. Like his wife Ivy, who suffered two stillbirths, their new neighbor Melinda is near to giving birth. Just after David showed her around in the Rose home, Melinda goes missing. Although no corpse is found, just circumstantial evidence more likely to be planted then stupidly left behind, police detective Blanchard treats David as his sole suspect, soon arrested, even after nosy neighbor Bindel is knocked down while David is in jail. School buddy Theo does his best to counsel the couple, yet Ivy doubts her husband's innocence just because of indications he may have had an affair with Melinda since high-school, and starts snooping with her best friend Jody. The worst crime is still being hatched.

A self-made executive navigates the cutthroat world of advertising, stopping at nothing — no matter how calculating — to become the head of her agency.

Seven people leave London for a therapeutic weekend in the Cotswolds where they are told it will 'change their life'. It does, but not in the way they imagine.

This is the story of Arthur Doyle, once a promising saxophonist in the New York school of Jazz' New Thing in the late 1960s and 1970s. Doyle, like many of his contemporaries, has struggled to maintain a healthy balance between life and music. The evidence of years spent pursuing a completely original sound is all around him. It is in his eyes, in his home and in the voices of his family. This film tells the story of a man who managed to live through his relationship with music. Now nearly 70, Doyle seems to be defying those forces that would keep him as a footnote in the history of American music. 　　—Anonymous